I know this blog is dead, but I do have plans to do something new with this little name I've created for myself. Unfortunately that will have to wait until some things financially and domestically work themselves out. For now, I am finally posting this online. I've been too scared to do it until now, but now since I've gotten my grades back and it's all said and done I'm willing to put it out there. This is my Masters Dissertation.
I had been thinking about the ideas of this for the past year, but writing it late this summer was a chore and I knew it showed by the time I sent it off. Furthermore, I disdain academic style of writing and went for something very... me... in this. That was probably too cocky of me. Indeed, early word from Essex was my writing was too conversational, and not how an academic is supposed to write. Still, they liked my ideas. Later on a professor from my old university, whom I had read over the dissertation, basically dismissed it as trash altogether. This discouraged me greatly. So for this to pass, even though the graders at Essex probably didn't care for my prose, but did like my ideas, is somewhat vindicating I suppose. And besides, deep down I still prefer how I wrote this to how they might want me to write it.
It's by no means a good paper- very top-heavy, which was a cause of word limit and time, so it leaves some things unanswered which I suppose I'll take care of if I move on with this PhD. We shall see.
It's by no means a good paper- very top-heavy, which was a cause of word limit and time, so it leaves some things unanswered which I suppose I'll take care of if I move on with this PhD. We shall see.
***
Synopsis
This
investigation explores problems with locating archetypes within the
self, whether as mental categories or inborn knowledge. These
problems originated with the work of C.G. Jung, who became confused
regarding where to locate archetypes as his theory grew. With
synchronicity, Jung begins to develop a dual-aspect monism that seems
to place archetypes away from the self and out into the universe, but
he confuses his position by conflating the psychic with the
universal. Jung's ambiguity has resulted in a 'contradicted mess' of
archetypal theories on the contemporary Jungian scene. Archetypes can
be liberated from the self via the philosophy of Baruch Spinoza,
whose own metaphysics can be used to bolster the monism that Jung
approximated. Spinoza's God and Jung's notion of the unus
mundus
sync well with one another, as does Spinoza's theory of knowledge and
Jung's individuating process. This suggests that there is much work
worth doing in uniting Jung with Spinoza.
1.
Problems with Archetypes
Archetypes
are the bedrock of C.G. Jung's analytical psychology.1
But even just a cursory
glimpse at the development of archetypal theory depicts a battery of
problems that threaten the integrity of the entire concept. An
analysis of the work by Jung and contemporary Jungians suggest that
these problems arise from a commonly held position, namely a
favoritism towards the subject, or empirically stated, an introverted
bias towards the psyche, mind or brain. This investigation suggests
that this introverted bias needs to be belied. But before we begin
belying, it is reasonable to properly define just what we are trying
to save.
What
is an Archetype?
Jung's
own definition of the archetype varies greatly throughout his
Collected Works, and
so it is difficult to distill all of his versions into one coherent
explanation. He believes that archetypes are unconscious material
that emerge from a psychic reservoir every single person has access
to, what he calls the collective unconscious.2
The archetypes, per Jung, condition the universal aspects of human
behavior. Humans are not born with a blank slate for a mind, but
rather with a brain that is already differentiated due to specific
aptitudes. Those specific aptitudes are determined by archetypes.
“[Man's] system is tuned into woman from the start,” says Jung,
“just as it is prepared for a quite definite world where there is
water, light, air, salt, carbohydrate, etc.”3
So the collective unconscious gives us virtual information about the
world. There is an archetype for mother, just as there are archetypes
for the various aspects of one's personality. But Jung warns us that
we mustn't think of these virtual images as having actual content.
Rather they are of a “collective character,” unconscious patterns
or forms that are activated by conscious experiences.4
The archetype is merely formal; it is fleshed out with the imagery
and ideas of our own experiences.5
So the archetype is a universal in the same vein of Plato's idea. A
universal is a priori knowledge, meaning that experience of a
universal “does not suffice to prove it, but merely so directs our
attention” towards its existence.6
Reiterates Jung, the archetypes “are, in a sense, the deposits of
all our ancestral experience, but they are not the experience
themselves.”7
It
is important for Jung to make this distinction between the virtual
and the actual, because the idea that we all have somehow inherited
actual pictures that facilitate our experiences would have been a
ridiculous pitch even back in his day.i
Jung is in danger here of becoming a casualty of the “Lamarckian
fallacy.”8
To his deficit, early in his writings Jung haphazardly uses the terms
'archetype' and 'primordial image' interchangeably, even when he
begins to recognize that archetypes are not the
images themselves, and also that they herd not only said images, but
ideas, feelings and experiences as well.9
By 1946 he draws a line between what he calls the archetypal image
and the archetype-as-such. The archetypal image is the knowable,
qualitative content that is marshaled around by the archetype. The
archetype-as-such, the actual archetype, is unknowable according to
Jung.10
It is well known that Jung lifted this distinction of what we can
perceive versus the a priori structures that we cannot perceive from
Kant.11
As summarized by Bertrand Russell, who supplies helpful commentary on
the problem of universals, Kant attempted to explain a priori
knowledge by stating that the world (the object) supplies only crude
aspects such as color or hardness to us. This is phenomenal
information. It is we (the subject) who supply the the a priori data
of how the object relates to us, such as the conditions of space and
time.12
Thus Kant created categories that restrict our perception. Jung seems
to adopt the same understanding here for archetypes; in this
understanding archetypes are modes of perception firmly entrenched
within the brain.
Samuels
observes why the addendum of the Kantian barrier was a shrewd tactic
on Jung's part. When discussing the archetype “it now becomes
unnecessary to seek for pictorially similar material. Archetypal
themes can be detected even if contents vary greatly; the arguments
over cultural transmission are bypassed.”13
Thus the Lamarckian canard is seemingly disproved, since it is not
the images themselves that are transmitted from generation to the
next, but merely the skeletal forms that they attach themselves to.
Without the archetypal imagery, the assumption now is that it's
“perfectly reasonable” to hypothesize the inheritance of
archetypes sans content, much in the same way the mechanisms for
instincts are transmitted genetically without the actual behavior
that they govern.14
Thus the archetypes remain“the deposits of all our ancestral
experience.”15
But
there is reason to think that Jung misappropriated Kant; for Kant
phenomenal information pertained only to the object, whereas Jung
extends this to mental representations (i.e., the archetypal image).16
Jung seems to do this to place premium on the psyche; this is a
tendency we will expand upon later. This action leads to other
problems: If the archetypal image is parallel to the phenomenal, then
the archetype-as-such should be analogous to the actual unknowable
object, what Kant calls the noumenal. But Jung instead conflates the
categories of perception with the the noumenal, so the
archetype-as-such becomes a combination of both. By Jung's logic
then, the categories of perception that filter to us phenomenal
information are now also supposed to be the unknowable, noumenal
reality that the phenomenal represents, i.e., all of reality is
psychic. By most standards this is ridiculous.17
Furthermore, appealing to any kind of Kantian barrier was suspect on
Jung's part, for this choice does not solve the question of
archetypes and inheritance, but merely avoids it. More on this later.
It
is important to depict the function that Jung believes archetypes
play in an individual's psyche. The archetype is in a sense a
messenger from the unconscious, often bursting to consciousness
during a period of duress or imbalance in the individual's conscious
attitude. An exploration of the unconscious contents offers a deeper
knowledge of both the conscious and unconscious, or more simply put,
the self.18
One of the earliest examples Jung gives of this process is in his
1912 publication, Symbols of
Transformation. In
the book he tells the story of a Catholic priest who obsessed over
the tale of Judas. The priest appeals to God and asks if Judas was
truly a traitor. God answers the priest's prayer and tells him that
Judas was not a traitor, but a servant in the grand scheme of things.
Shortly after the priest is compelled to leave his post and become a
missionary. During his travels he converted to a different sect of
Christianity. Jung explains that he was
Judas
in his fantasy, and he had to “assure himself of God's mercy”
before leaving the church. Ergo the priest's obsession was really
about his own personality, “which was seeking a way to freedom
through the solution of the Judas problem.19
Thus
the archetypal image, in this case the story of Judas, acts as a tool
for circumnavigating a situation otherwise too difficult to
comprehend. In a sense the archetype is a sort of absolute knowledge
that can be gleaned to solve problems on the individual scale. Again,
this corresponds with Jung's belief that knowledge of the self is key
to psychological health. He calls this process individuation.20
So
far we have only outlined some elementary aspects of archetypes and
the collective unconscious. But the basics that we have established
are by no means without problems. From these essential points alone
it is not evident what Jung thinks the source of archetypes might be.
This would obviously be a difficult question to answer without tools
from science or philosophy. But it seems a certain din is inevitable
when one tries to interface archetypal theory with topics outside of
analytical psychology. Jean Knox observes how it is difficult for
other fields to take archetypal theory all that seriously when
amongst the Jungians there is so much confusion about what archetypes
are even.21
In one passage Jung admits that he did not help much in the endeavor
for clarity, and that his work led him into a “net of reflections”
that extended far beyond psychology.22
Ostensibly he simply realizes that he that might have gone overboard
with the considerable amount of topics he has weaved into his texts.
By consequence of this Knox decides that it is “probably futile to
trawl painstakingly through Jung's Collected
Works,
finding evidence to suggest that one way of envisaging archetypes
predominates over another in his writing.”23
There admittedly is a lot of truth to this. And yet with it must be
noted that Jung muses that he not only overdid things, but also that
his conception of the archetype was simply changing over time. The
notion has been put forth before that Jung basically had his theory
'figured out' by 1921, and consequently then for the rest of his
career he was only providing exposition on analytical psychology in
different ways.24
But even but a cursory glance at some of Jung's writings on
archetypes suggest that he was earnestly trying to refine his ideas
in different ways.25
Whether it was well-executed or not, the addition of the Kantian
barrier was an example of this. But Jung's understanding was evolving
in other ways too, namely his ideas on the possible source, or
perhaps better put, the
location
of the collective unconscious.
As
previously noted, Jung often states that the archetypes are in some
way linked to biology.26
Jung's conjecture on the physical location for archetypes is
admittedly confusing; he sometimes links archetypes with “structures
in the brain,” while in other instances he appeals to genetics.27
It is unclear whether Jung thinks both ideas are somehow true or if
he's simply writing in metaphor; all of his conjecture is fueled by a
degree of scientific ignorance that seems to fit his confession of
being in over his head.28
But one thread of interest is the way in which Jung relates the
archetypes to the instincts, and how this changes throughout his
texts over the years. Atmanspacher notes how Jung's understanding of
the archetypes gradually shifts from equating archetypes with
instincts (biology), to placing archetypes and instincts separately
but on the same spectrum (psychology and biology), to finally
something approaching metaphysics.29
In the essay 'On the Nature of the Psyche,' Jung first mentions the
psychoid, a deep, inaccessible level of the collective unconscious
where the archetypes not only emanates from the psyche, but from the
physical as well.30
At first glance this is merely a more sophisticated approach to
anchor the collective unconscious within our biology. But Jung's work
on synchronicity shows that he was clearly flirting with something
altogether more ambitious.
Synchronicity
Jung defines synchronicity as “the simultaneous occurrence of a
certain psychic state with one or more external events which appear
as meaningful parallels to the momentary subjective state.”31
A crude example of this is when a person has a vision of a loved one
being in a car accident while, unbeknownst to that person, their
loved one actually gets into a car crash. Such coincidences have no
linear cause, yet they have a distinct meaning for the person who
witnesses them. This meaning is tied into the “essential change of
attitude” that the synchronistic event is said to cause for the
observer. As noted previously, archetypal images are said to bring a
similar sense of change. In general, this “emotional charge” is
what Jung calls a numinous experience.32
That archetypes and synchronicity both carry numinosity may be due to
the fact that archetypes emerging from the psychoid are central to
the cause of synchronicity.33
There
are many questions about synchronicity that do not concern this
investigation.34
But the idea that the psychoid archetypes are in some way responsible
for synchronistic events has tremendous implications for any
conception of a collective unconscious. Jung is not entirely clear on
this. Roderick Main notes that Jung never equivocally states that
archetypes cause synchronicities, but on the other hand Jung does
cite cases with patients who experience synchronicity and where Jung
believes “an archetypal foundation” was at work.35
Joseph Cambray quotes a letter that Jung writes to Wolfgang Pauli, in
which Jung states that, if the archetype is not the actual cause of
synchronicity, it is nevertheless certainly a condition of it.36
At
the very least Jung thought that synchronicity reveals something
about the psychoid, and that the psychoid connects the psyche with
the outer world. As we have noted, Jung postulates that the psychoid
is an inaccessible level of the unconscious where the realms of the
psychological and physiological converge. By this logic then
synchronicity is experienced when an activated archetype within an
observer causes not only a psychic event but a physical event as
well, via the psychoid.37
In this version of synchronicity, it is not the presence of the
psychoid archetype that actually causes the external event seen by
the observer, but instead perhaps the psychoid archetype simply
heightens the observer's awareness to find a coincidence that is
meaningful to his or her heightened mental state amongst the
otherwise mundane everyday randomness. But as Main notes, “Jung
sometimes goes further than this” and suggests that the psychoid
“should also refer to the relationship between a person's psyche
and the physical world beyond that person's body.” Here the
archetype arranges forms “inside and outside the psyche.”38
The
idea that archetypes actually manifest themselves not only in the
internal world but the external too was encouraged by Jung's
client-turned-colleague, the physicist Wolfgang Pauli.39
Pauli, a leading quantum physicist infamous for his ruthless
evaluations of what and what didn't count as true science, took a
curious liking to Jung's analytical psychology after undergoing
therapy with Jung and his affiliates in the 1930s.40
Pauli helped “to stress the shift
in conception of the archetype away from being inborn
or being an ideal form to something active, constellating rather than
causing events.”41
In this take on synchronicity, the observer experiences a
synchronistic event when an archetype emerges in separate branches,
one in the subject's psyche (the thought of a loved one crashing),
the other in objective reality (the loved one crashes). In this case
the term psychoid is not reserved merely for the place where psyche
and physiology converge, but open instead to the interconnectedness
of all
mind and matter. This
seems possible only if our definition of the archetype is changed so
that it is no longer a universal within the psyche, brain, or body,
but rather information that is outside of us. This is affirmed by
Pauli's remark that “the archetype should not be seen as an 'inborn
structure' lying 'latent,' just waiting to manifest itself, but as
something that constellates, or emerges at certain stages and
situations in life.”42
So in Jung's work with Pauli on synchronicity, the archetype, and
presumably the collective unconscious as well, is relocated outside
the body or subject entirely!
Indeed,
Gieser writes that Paul did “not want to see the archetypes as
'psychic' structures that are projected onto material objects, but
rather as third order factors that structure both
psyche
and matter.”43
Thus the archetype is no longer an innate biological mechanism or
merely a psychic entity but instead an organizing principle
manifesting in all aspects of reality, where the psyche is but one
example. To Pauli, the archetypes were organizing patterns for all
aspects of reality; independent as they were from the psyche, they
are as much universals of the mind as much as they are the laws of
nature. But Jung seems a bit cautious to go entirely in this
direction.44
Atmanspacher
notes it is understandable that Jung would be hesitant in making this
final shift in his archetypal theory, after all the developments the
idea had gone through from the primordial instincts up until now.45
He was committed to his own brand of phenomenology.46
Pauli did not like Jung's tendency to explain everything in terms of
projections from the psyche, and indeed he felt that the “concept
of introjection,”
where information from the objective world flows into the psyche, was
of equal importance.47
The danger of conflating the idea with the mental was stressed by
Russell, who argues that many people mistake universals as psychic
qualities when in fact they suggest a third order that is beyond both
subject or object. Consequently this is why Russell prefers to avoid
the term 'idea' and instead opts for universal to avoid confusion.48
This is an important criticism for those who view the archetypes as
psychic categories; it also why Russell thought it was “silly” to
think that universals could be innate to the subject.49
Jung
certainly had a tendency to conflate the universal with the psyche.
As far back as 1896-1899, Jung had already established his firm
belief that the psyche was an “independent realm” that ought not
be curtailed by scientific materialism nor metaphysics.50
His steadfast belief in the primacy of psychology was based on the
assertion that man “lives at the boundary between two worlds.”51
It seems here as if Jung has swapped metaphysics with psychology. The
fact that from the get-go Jung had such a reverent view of the psyche
makes it arguable that his relationship with Freud was doomed from
the start, for whereas Freud endorsed a reductionist view of the mind
that looked for casual explanations of behavior in suppressed
desires, Jung sought a constructionist methodology where a network of
irreducible factors resulted in the emergence of the psyche.52
It also seems inevitable then that Jung would make the psyche the
starting point for all his investigations, and consequently Jung
would assume the archetypes must originate from within
the
psyche, or more precisely the subject. It should be noted that in
this discussion the subject becomes synonymous with psyche, which by
proxy is correlated with the brain, whereas the object is tantamount
to objective reality, or the rest of the universe. One example of
Jung's preference for the subject can be found in Psychological
Types. In
this book Jung essentially describes his ego psychology, where
different styles of consciousness can be described by varying
functions and attitudes. Out of the two attitudes, introversion and
extraversion, it is obvious that Jung privileges introversion for
being concerned with the subject
(whereas extraversion is an attitude focused on the objective world
first and foremost). Thus it are the people who are introverts who
perceive and act upon the archetypal, whereas extraverts seem to be
stuck in the mundane.53
In this respect Jung's preference for the subject could also be
called his introverted bias. So Pauli's effort in getting the
archetypes out of the mind and into the rest of reality can be
equated to removing the subject's priority over the objective, or
moreover to make the distinction between psyche and matter relative.54
But
it is equally possible that Jung's stance here might be based less on
his scientific perspective than his convictions as a psychiatrist.
Two years before his death, in his 1959 interview with the BBC, Jung
adamantly states his conviction that the world “needs psychology.”55
Jung makes a similar diagnosis for the future of all humankind in his
essay 'The Undiscovered Self.'56
So perhaps Jung's privileging of the psyche comes not so much from a
philosophical stance that the world is entirely psychic, but rather
from the desk of a therapist who is proscribing a cure for his entire
species.57
But despite these concerns, there is ample
evidence to suggest that Jung actually did subscribe to Pauli's
iteration of archetypes.
Unus
Mundus
In
some ways a metaphysical basis for the archetypes was present in
Jung's writing well before he ever published on synchronicity,
particularly in his writings on religion and alchemy. In Psychology
and Alchemy
Jung effectively describes the same thing that he attempts to explain
with the psychoid; that area between mind and matter. That the symbol
is our only comprehension of this interconnectedness is the same
notion of the archetypal image being our perception of the archetype
itself. So the archetype is at the source of both mind and matter.58
This insight also says something very different about the a priori
status of archetypes, which we will address shortly. In an essay on
the trinity Jung says more explicitly: “Empirically considered,
however, the archetype did not ever come into existence as a
phenomenon of organic life, but entered into the picture with life
itself.”59
Here again Jung grants the archetype a status well beyond genetics or
neuroscience. Even Jung's oft-used comparison of the
archetype-as-such with the geometric pressures that shape a crystal
evokes some sort of immaterial tendency towards self-organization,
rather than an embedded biological or psychological mechanism.60
When delivering this analogy Jung
quite equivocally states that the archetype “has no material
existence of its own.”61
Gieser
recounts an exchange of letters between Pauli and Jung in 1953, where
Pauli posits that the unconscious could be better thought in terms of
“potential being,” in the same way that electrons or atoms are
potentially either wave or particle.62
Jung responds that he would prefer to avoid the term “being”
altogether, and that 'matter and spirit' are simply labels we apply
to what we believe are separate origins, when they are really aspects
of one and the same.63
Jung here goes beyond the notion that the collective unconscious is
the third party beyond mind and matter; rather, archetypes are from
the only substance,
and aspects such as psyche and matter are merely labels we use to try
and describe that monism.64
By making the categories of mind and matter relative, Jung is
collapsing the symmetry of opposites that typically frame all
discourse on reality. Elsewhere Jung says to Pauli:
[T]he
psychoid archetype, where “psychic” and “material” are no
longer viable as attributes or where the category of opposites
becomes obsolete and every occurrence can only be asymmetrical; the
reason for this is that an occurrence can only be the one or the
other when it proceeds from an indistinguishable One.65
Atmanspacher
explains that what Jung and Pauli have essentially created is a
dual-aspect monism, where each attribute (mind and matter) fully and
irreducibly represent a deeper underlying domain.66
A key example of this the way that Jung uses synchronicity as a
mind-body theory, wherein the mind and body represent synchronistic
inner and outer events that have no casual connection (this would
only be the case if one could be reduced into the other) but are
related via meaning. It was this postulate that would eventually make
Jung consider synchronicity as a ubiquitous event.67
As noted earlier, it also seems to have changed his approach to
studying the archetype-as-such.
Atmanspacher
observes that Jung's wholesale relocation of archetypes from within
the body to out in metaphysics was an idea he became more confident
weaving into his writing following the work with Pauli; consequently
Jung's texts from the 1950s are some of his most exciting and
controversial releases.68
In Mysterium Coniunctionis
(1955)
Jung adopts from alchemy the notion of the unus
mundus,
or one world:
Undoubtedly
the idea of the unus mundus is founded on the assumption that the
multiplicity of the empirical world rests on an underlying unity,
and that not two or more fundamentally different worlds exist side
by side or are mingled with one another. Rather, everything
divided and different belongs to one and the same world, which is not
the world of sense but a postulate...69
It
is in the fifties when Jung gets the courage to write on loaded
topics like the archetypal nature of Christ and God being equivalent
to the archetype of the self ('Answer to Job'), as well as how
understanding of the dynamics between the collective unconscious and
civilization may be vital for humankind's survival ('The Undiscovered
Self').70
It is in the fifties when Jung frequently abandons his
phenomenological post and leaps heedlessly over the Kantian barrier
to grapple with the supposedly unknowable archetype-as-such. For even
when Jung sets up shop properly, as in his
introduction to his psycho-pulp tome on 'Flying Saucers'
in
which he states that, “as a psychologist, I am not qualified to
contribute anything useful to the question of the physical reality of
UFOs. I can concern myself only with their undoubted psychic
aspect...” he later cannot help himself but speculate anyways on
the physical reality of UFOs and whether or not they are
psychophysical entities that are proof of the unus
mundus.71
What
happened? It seems that Jung has adopted an approach to studying the
ontological, a method that would be later described by Atmanspacher.
In dual-aspect monism the localized aspects (mind or matter) can be
studied as they 'decay' from the primary substance to find
non-localized aspects. This creates two separate branches of
knowledge, the epistemic (localized knowledge concerned with a
specific aspect) and the ontic (universal knowledge that is
abstracted from the localized information). Both are necessary to
paint a picture of the monist center.72
This is not particularly different from Jung's previous contention
that analysis of the self (which Jung invariably describes in terms
of uniting opposites) leads to true knowledge. But now Jung states
that individuation also leads to knowledge of the one world at large.
Atmanspacher notes that uniting opposites (i.e., mind and matter)
leads to a sort of asymmetry that is tantamount to ontic knowledge.
Synchronicity can perhaps now be seen as when an observer experiences
an archetypal manifestation within and without, which effectively
corresponds with the observer's notions of mind and matter
effectively collapsing upon one another, thus allowing a glimpse at
the indistinguishable one.73
Locating
the archetype outside the subject seems to solve some of the
limitations set by the Kantian Barrier. The epistemological limits
that arise from the distinction between the archetypal image and the
archetype-as-such arguably betray the absolute knowledge that Jung
promises with individuation by conflating the universal with Kant's
categorical limitations on perception. In other words the archetype
becomes a puzzling amalgam of unknowable restriction and absolute
knowledge; this is what Jung conjured when he combined the
categorical limitations with the noumenal.74
But with the archetype placed out in the universe, the
archetype-itself is no longer a limiting factor on cognition but an
underlying part of reality that can be investigated via its localized
manifestations, the archetypal images. Moving the collective
unconscious out of the body and into the universe has allowed Jung to
overcome this epistemological dilemma. This is similar to Russell's
assertion that “our a priori knowledge is concerned with entities
which do not, properly speaking, exist either in the mental or in the
physical world.” Russell does not see a priori knowledge as
heavenly nor categories of perception, he is very critical of both
notions, but rather simply the knowledge of relationships
between
different aspects of monism.75
Synchronicity was part of a intellectual march
for Jung that resulted in the archetypes' placement in the
metaphysical. What we end up with is a dual-aspect monism that is
perhaps the keystone of Jung's psychology. The subjective is part of
the objective, the individual is within the collective, the local is
in respect to the universal. It's a compelling package.
But there is one caveat here: Jung never drops
the idea that the self is the place where the psychic and physical
converge.
One
would think that the implications of the unus
mundus would
get Jung to totally adopt the worldview he shares with Pauli. But
instead Jung maintains the privileges that his version of the psyche
enjoys; indeed he takes the opportunity to go further. Per Jung,
relativity proves that space and time do not truly exist, and thus
the psyche via the psychoid is able to bypass the traditional
dimensions of space and time. Suddenly our first take on
synchronicity is back in play: the archetypes do not cause
synchronistic events, but simply activate the power to circumnavigate
space-time.76
Jung again has lifted from Kant, who proposed that the self imposes
the categories of space and time on reality.77
Therefore, Jung bestows the psyche with the extraordinary ability to
relativise space and time!
It
should be obvious here that Jung more or less butchers the theory of
relativity, for Einstein never argues that space and time are
imaginary; if anything, he clearly states the complete and utter
opposite: that space-time is a real, tangible substance.78
Jung's bungling here is understood by someone with an average
scientific education, so one would think it didn't go unnoticed by
the likes of Wolfgang Pauli. As noted, Pauli was indeed irked Jung's
premium on the psyche; instead of psychoid he preferred the term
“psychophysically neutral.”79
But most odd is that Pauli ultimately capitulates on this point;
moreover he explicitly takes it further and suggests that the self is
the “superordinate organizing principle overarching psyche and
world” beyond space and time.80
By 'self' it is hard to imagine that either Jung or Pauli mean
anything other than the psychic whole, which indicates that
archetypes are still fundamentally psychic content. Perhaps Jung does
view the archetypes as manifesting in both mind and matter, but
nevertheless this otherworldly authority granted to self appears
conceivable only if the archetypes are seen as psychic entities first
and foremost. It seems baffling that Jung and Pauli would take the
theory of archetypes so far from where they started, only to return
to the subject. It has been speculated that personal biases towards
symmetry lead them back to this, but this is a discussion for
elsewhere.81
At any rate it seems that Russell's complaint is relevant after all,
that the universal, the archetype, has been conflated with the
psyche.82
Puzzlingly, Jung takes the archetypes outside of the brain and
approximates a sophisticated dual-aspect monism, only to apparently
fall back on the priority granted to the psyche.
There is a way out of this. The self could be rethought as merely the
psychological symbol that represents the underlying universal that is
clearly not restricted by the psyche. This would certainly fit
Atmanspacher's assertion that localized knowledge can be used to
investigate the universal; moreover, in dual-aspect monism it is
thought that each aspect representing the monist center are not
lesser or specific components of the monist whole, but instead that
they are equal perspectives arrived at by different chains of logic.83
This fits with Jung's assertion that mind and matter are merely
labels of the same one, as well as his belief that understanding of
the psyche also leads to understanding of the world.84
As we fleetingly witnessed, his writings in the fifties did seem to
reveal a relativation of the psyche, and in turn an acknowledgment
that the subject was merely a localization of the objective, rather
than a superordinate position. But even if it turns out that this was
not Jung's thinking, we could simply assume that he and Pauli blew it
and proceed anyways to redefine the collective unconscious as a
psychological aspect of monism. But this is not necessarily a project
that today's Jungians show interest in.
Mutually
Inconsistent
The
moniker 'Jungian' beckons a large cast of clinicians and researchers,
and this limited section cannot possibly catalog them all. This is
fine, since the motive here is not to aimlessly document Jungians,
but rather to illustrate how selected contemporary Jungians continue
to restrict the archetype to the subject, while also stripping away
many of the unique qualities that make it a special topic to begin
with. With limited space in mind, we will focus on four of today's
key players in the discourse on archetypes, framed within the context
of what we have portrayed thus far. To guide us will be the work of
Jean Knox.
Knox
asserts that archetypes should not be thought as innate biology nor
as metaphysical universals, but rather as image schemas, pitting them
squarely in developmental psychology, somewhere between attachment
theory and the work of Piaget. Knox claims that Jung described
archetypes in four different ways:85
- Archetypes as “biological entities in the form of information” encoded in the genes. “They provide instructions to the mind as well as the body.”
- “Organizing mental frameworks of an abstract nature,” a set of rules that are never experienced.
- Symbolic material that contains “representational content” and therefore creates meaningful experience.
- “Metaphysical entities which are eternal and are therefore independent of the body.”
Knox
argues that position (1) is untenable by itself, since information,
regardless of whether or not it has actual content, cannot be
innate.86
She differs here from Stevens, who sees archetypes as innate response
mechanisms that arise from genes. Stevens equates the
archetype-as-such with genotypes, and the archetypal image with the
emergent phenotypes. For him archetypes are a matter of evolutionary
psychology.87
Knox disputes this by explaining that it is impossible for genes to
carry not only the archetypal images, but the archetype-as-such as
well. It is not just a question of Lamarckism, but also that there
only 20,000-30,000 genes in the human genome, each acting as a
chemical messenger; it merely takes arithmetic to see that genes
alone cannot account for such complex information. Additionally Knox
does not like equating the genotype and phenotype with the archetype
and archetypal image, saying that it confuses the material reality of
the genotype with the unknowable form of the archetype.88
She seems to be accusing Stevens of following an outmoded model of
biology.89
It is indeed difficult to accept archetypes as a matter of evolution,
since archetypes seem to trend towards complexity, whereas evolution
is directionless.90
Knox
uses similar logic to dismiss positions (3) and (4); symbolic and
metaphysical qualities cannot possibly be innate. She is particularly
critical of the idea that genes are “the vehicle for eternal
truths.”91
It is clear by this that she interprets position (4) as where
archetypes are “innate structures that allow us to access
transcendental reality.”92
Thus Knox is referring to Jung's notion that the psyche can
relativise space-time, which she understandably finds preposterous.
She makes no mention of archetypes as universals independent of the
subject, though she does dismiss synchronicity in the span of a
paragraph, citing Richard Dawkin's explanation that finding meaning
in statistical randomness is merely a human illusion.93
Knox feels that positions (3) and (4), where meaning and metaphysics
are innate, are the sort of arguments that keep people from taking
analytical psychology seriously.94
She proposes to redefine the archetype primarily as the mental
frameworks of position (2), where they are grounded within the
biology of position (1).95
In this model the genes “act as catalysts.” In infancy they
activate crude, automatic forms of behavior which in turn cause the
infant to discriminate itself from the environment. This process
gives rise to psychic constructs called image schemas. The image
schemas allow the infant to make meaning of its environment; for
instance, the infant would have developed an image schema that
corresponds to its mother. The information corresponding to these
image schemas is refined over time through the dialectical
relationship between the developing mind and the surrounding
environment. By consequence Knox adopts an epiphenomenal stance on
the mind-body problem, where the mind emerges from the brain.96
Simply put, Knox believes that archetypes are image schemas.97
Interestingly,
Knox leaves open the possibility that the archetypal nature of image
schemas actually corresponds to a mathematical structure independent
of the brain. But she does not capitulate fully on this point,
because in her reasoning the archetype-as-such is best defined as a
“primitive sketch,” which she believes is best encapsulated by
the image schema.98
This leaves her at odds with Cambray and Hogenson, both of whom
describe archetypes in terms of the relationships that emerge from
within dynamic systems. Hogenson describes this view as one where
there is no template “upon which archetypal phenomena rest,”
whereas both Knox and Stevens advocate the existence of a template
that “must in some significant sense inhere in the individual,”
either through genetics or developmental psychology.99
Hogenson agrees with Stevens that the question ultimately comes down
to whether or not the Kantian barrier is an integral part of what
defines an archetype. Hogenson thinks that Jung's own lack of clarity
on this issue has in turn misled his followers.100
Hogenson sees the archetype as having no location in space. Instead
it is the emergent result of relationships within dynamic systems.
This
view is agreeable with Russell's assertion that universals are a
priori in the sense that they are observed only in relationships.101
Cambray also holds this view, and recognizes that synchronicity is
due to the emergence of archetypes. But at times Cambray falls back
on Jung's explanation that the psyche is the organizer of both mind
and matter; he is concerned mainly with emergence from the brain.102
Hogenson also tends to use the brain as the dynamic system from which
archetypes emerge; he has linked archetypes to action patterns that
involve mirror neurons, circuits in the brain that are activated when
an animal mimics or when an animal perceives the same action
performed by another. By consequence of anchoring archetypes with
this particular phenomena of the brain that has no exact nexus,
Hogenson wonders if there is any place for the collective
unconscious, or if it is now a superfluous concept.103
Of course, when the archetype is seen as a universal that is wholly
independent of the body, and when the collective unconscious is
therefore seen as a psychological description of an underlying
monism, this speculation is irrelevant. Even among those who
recognize the archetypes as universals, it seems that there is a
tendency to fall back into the domain of the subject.
The
fact that these four researchers are in varying degrees bound to the
domain of the subject can probably be contributed to the uncertainty
left by Jung. The same criticisms held against Jung's introverted
bias can be leveled here. Russell's complaint that it is “silly”
to consider universals is the same logic that Knox directs at
Stevens.104
But Knox's model does not escape scrutiny. Russell also chastises
those who use Kant to equate experience of the noumenal with the
noumenal. This is again the same error that Jung committed. Russell's
reasoning is this: if we equate our categories of perception with the
noumenal, and if our categories of perception presumably arise from
our nature, what happens when our nature changes? For example, it is
a priori knowledge that two and two should equal four. But if our
nature changes, will the answer become five? Nestling universals
within our nature implies that reality must change with our nature,
or if everyone's nature is different, then there is no objective
reality.105
This is probably not what Knox is claiming. But the application of
Russell's argument demonstrates that Knox has not escaped the
fallacies of placing universals within the self. She has escaped some
particulars of scientific controversy, but not a philosophical
analysis of how universals can be tenable.106
One
other point against Knox's model is that is tough to discern how
archetypes are in any way different from psychological complexes.
Knox maintains that the image schemas are universal because they form
in the bedrocks of development, possibly as early as the prenatal
phase. But by her own admission the development of image schemas is
probably hindered for people who do not grow up in the ideal
environment.107
Certainly her model portrays the development of archetypes occurring
separately in each individual; there is no common reservoir.
Furthermore the development of image schemas relies on the perceptual
systems of cognition. Knox insinuates that the simple, mechanistic
nature of these systems ensures that the image schemas retain
universality. But it has been demonstrated that the schemas generated
by perceptual systems actually differ and are indeed
largely dependent on cultural context.108
This implies that the archetypes should be thought of as cultural
phenomena, something that Knox flatly denies, but nonetheless she is
in danger of falling right into this postmodern trap.109
The factors that condition archetypes in this model do give pause to
the question of if they really are anything other than complexes.
Such folly seems inevitable so long as archetypes are thought to be
embodied separately and ubiquitously in every individual. Raising the
Kantian barrier does not solve these problems; it only avoids them.
Where
Are the Archetypes?
Is
it even conceivable that there is a Jungian out there who has never
had a debate with someone that
complained Jung was “too mystical!”
for their tastes?110
That the university judges analytical psychology to be
“unscientific,” and that Jung is often altogether dismissed by
other investigators, is a real concern for those who find value in
archetypal theory.111
But I am not sure if
the actions that have been chosen are the correct responses. I think
it is clear that this whole mess began with the contradictions
between metaphysical allure and psychiatric duty that Jung found
himself in and consequently imparted to us. I am also not convinced
that the possible escape from this that I outlined earlier, where
Jung's premium on the self is valid so long as the collective
unconscious is understood to be but one aspect of a monist whole, is
correct. Although this potentially links with Atmanspacher's
explanation of how universal knowledge is acquired in dual-aspect
monism, the other implication with that solution, supported by much
of Jung's writings, is that the universe and human evolution confirm
to the same teleology. In some ways I think this notion is as
unlikely as the the idea that genes are the carriers of archetypes.
Maybe even more so. For if there is one sin that evolutionary theory
brooks no argument for, it is the belief that evolution has
direction.112
Jung's
misfires were not the only thing he passed on to his disciples; so
too do many Jungians get close to approximating the same thing Jung
and Pauli were after, only to fall back upon the brain, psyche, self
or other variant for the subject. An entertaining example of this is
when Stevens explains the metaphysical possibilities of archetypes,
going so far as to speculate that archetypal theory could become a
new philosophy of nature. Only he then proceeds to muse that biology,
specifically the structure of DNA, must be the bridge between mind
and matter.113
I think this is tantamount to lighting a match and setting the whole
thing on fire.
I
also think Knox is right: if Jungians don't get their act together,
then archetypal theory will remain a “contradicted mess” never be
cited by people outside of analytical psychology save for those who
want witty chapter headings.114
But I do not agree that biology instead of metaphysics should be
chosen as the starting foundation; I hope the problems with
archetypes that I have explained so far the very least adequately
explain my decline to go in this direction. What I would like to do
instead is see if an existing monist system similar to what Jung and
Pauli got close to can be used to demonstrate the potential for a
theory where archetypes are not embodied entities. To do this, we
should look to a dual-aspect monism that is adequately delineated as
to avoid confusion, and so parallels where they exist between
analytical psychology can be drawn with ease. Helpfully, Atmanspacher
provides us with a list of dual-aspect monists from which we can
choose a suitable candidate.115
The man with whom he credits inventing monist philosophy is a fitting
choice: the 17th
century rationalist Baruch Spinoza.
2.
Jung & Spinoza
An
unmistakable accord exists between C.G. Jung's theory of the
collective unconscious and the 17th
century philosopher Baruch Spinoza's description of God. There are
parallels in the way that Spinoza describes God's essence and Jung's
notion that archetypes manifest in both mind and matter.116
Although Jung himself ostensibly does not hold great esteem for
Spinoza, one finds that they tend to agree at crucial points; they
share a common monism. This is a point that Jung may have missed due
to his priority for psychology. This kinship between Jung and Spinoza
extends into their views on absolute knowledge and psychological
health. Essentially, the argument here is that Jung and Spinoza are
talking about the same thing- even if Jung was never aware of it.
On
God
Benedict
de Spinoza is considered alongside Leibniz and Descartes as one of
the three great rationalists.117
He is most famous for the Ethics,
his magnum opus, which was published posthumously.118
The Ethics is a
sprawling geometric proof split into five sections, each building
upon the propositions put forth in the previous pages. Spinoza
touches upon an wide array of topics within the Ethics,
ranging from mind-body issues and a theory of knowledge to politics
and human nature. Included within the final section is essentially an
outline for a psychotherapy; some have seen Spinoza as a forerunner
to psychoanalysis, for reasons that should become obvious as we
proceed.119
But undoubtedly the most impressive topic Spinoza covers is his
metaphysics in part one, where he presents his argument on God.120
This ontology may seem very radical at first, but I think it will
become obvious why this is a natural starting place to find a
connection between Spinoza and Jung.
Spinoza
defines God as “a being absolutely infinite- that is, a substance
consisting in infinite attributes, of which each expresses eternal
and infinite essentiality.”121
Spinoza often scholastic nomenclature, only to use it in very
different ways; in this case substance simply refers to “that which
is in itself,” or “that of which a conception can be formed
independently of another conception.” 122
What Spinoza means here is that 'substance' refers to a very
elemental thing in nature, so much that it is an entirely autonomous
entity; it cannot be affected or influenced by another object. A
substance can be described by its essence, or more specifically
aspects called attributes.123
Attributes are things “the intellect perceives as constituting the
essence of substance.”124
But thought and matter are examples of attributes, in the sense that
they are different categories or aspects we use to interpret
substance.125
Because with substance we are talking about something very
fundamental, not actual, it reasons to stand two substances could not
have the same attributes, since then we would consider them the same
substance.126
But one substance cannot create another, since they must be
completely self-caused and entirely self-determined entities.127
And because the essence of substance (its attributes) refers to
different kinds of things, and not just things in themselves, it
seems that each substance, at least as far as its essence is
concerned, is infinite.128
The only for this to really work is if there is one substance from
which an infinity of attributes flow. There is nothing else than this
substance.129
This is Spinoza's God.
Clearly
we are not dealing with an ordinary conception of God; indeed Spinoza
takes time to launch an attack on those who view God as
anthropomorphic, or, of equal importance, as separate from nature.130
Everything that is conceivable flows from God's nature; it impossible
that the world would exist without God, without substance. From the
infinity of attributes that God possesses, there are two of which we
know of: thought and extension (mind and matter).131
From each attribute comes an infinity of modes. Modes are
'modifications' of substance, or in a sense manifestations generated
by substance.132
Infinite modes are “eternal aspects of being;” they, like God,
are eternal. Under the attribute of extension, the laws of nature
would be an example of an infinite mode; under the attribute of
thought, an infinite mode would be some universal
psychology.133
Finite modes, essentially bodies, also exist, and they are the
discrete manifestations of God's nature that the infinite modes
affect.134
My body, your body, a chair, the dog, are all examples of finite
modes under the attribute of extension; my mind and your mind are
examples of modes under the attribute of thought, but so too would be
our ideas of a dog or chair.135
Therefore Spinoza is saying our minds are merely the ideas of our
bodies, which is no different from the rest of nature. Therefore,
Spinoza endorses panpsychism, if not pantheism; the only thing that
distinguishes the mind of humans from others is that, due to our
material complexity, the idea of ourselves is correspondingly more
complicated.136
The fact that an idea of something reflects whatever is taking place
in that body is what gives us our sentience.
It
is important to remember as well that God has no purpose or
direction; Spinoza's system is only deterministic in the sense that
things only flow from God out of necessity, not by design.137
Therefore the modes conceived under each attribute do not affect one
another, since neither attribute is directed to affect the other.
Therefore, though the order and connection of thoughts overlaps the
order and connection of matter, they do not casually affect one
another.138
Therefore discrete matter also has an idea of itself, 'or mind,' that
does not emerge from the matter, but simply correlates with it. All
matter is an extension of God's attribute of extension, and all
thoughts are an extension of God's intellect. They emerge from the
same substance, as equal but separate entities. This is why
Atmanspacher classifies Spinoza as a dual-aspect monist.139
I
hope this brief introduction to Spinoza's God illustrates why it is
celebrated as one of the most radical ideas in the history of
philosophy.140
The theory that we are all an act of God, or modes that God
generates, begs a number of questions. Is Spinoza just cleverly
expressing atheism, or is he actually stating quite a bit more than
that? Does he think the idea of ourselves (our mind) survives the
destruction of our finite bodies? If God has no free-will, are we too
powerless and merely casually subject to the effects of the infinite
modes (laws of nature) and finite modes (other discrete modes that
affect us)?141
We will touch upon the last question when we broach Spinoza's theory
of knowledge. For now though I would like to focus on one of the most
“celebrated problems” with Spinoza's philosophy: the problem of
attributes.142
How
are we supposed to comprehend an infinity of modes emanating from a
single substance? Several interpretations have been proposed. The
subjective interpretation holds that “attributes are actually the
subjective ways in which we think of substance, not objective
properties of it.”143
Many 19th
century philosophers such as Hegel embraced this view; incidentally
it also seems to correlate with neutral monism, where different
aspects (attributes) of the monist whole are merely interpretations
of selective parts of the entire substance.144
While this approaches Spinoza's notion that attributes are the way an
intellect perceives what constitutes the essence of substance.145
But at the same time Spinoza clearly does take every attribute to
constitute the essence of substance.146
So the objective interpretation maintains that we should uphold the
notion that the attributes actually constitute God's essence. This
though seems very hard to conceive; because does this imply then that
each attribute is producing distinct modes? This contradicts things
that Spinoza says elsewhere, such as the belief that, no matter under
attribute we conceive something, we “shall find one and the same
order.”147
This is indeed how his mind-body theory as described earlier is
maintained. How can this be so, how can every body have a consistent
idea of itself, if every attribute is literally creating separate
modes that cannot affect the other?
Jarrett
proposes a solution whereby both interpretations are combined into
the relative interpretation.148
In this approach our distinction between attributes is indeed
subjective, although each attribute is actually the total essence of
God, not just biased views of it. Our concept of thought and our
concept of extension are distinct and equally adequate ideas,
although their object, thought and extension themselves, are really
just the same substance.149
This seems to be consistent with both of Spinoza's statements, that
attributes are what we interpret as essence as well as actually being
essence.150
A remaining problem are all those other attributes (an infinity of
them) beyond thought and extension. If the infinite substance that is
God is also supposed to have an actual infinity of attributes, in
what mind are those distinctions being accounted for? In Spinoza's
panpsychic model ideas are not merely our filtered interpretation of
reality; they seem to be real things, and in the case of an attribute
or infinite mode, eternal things as well.151
According to Spinoza it is God's intellect that holds all these
different attributes for each mode. Extension and unknown attribute X
are separate attributes- we can describe them via different
distinctions of logic- but they are ultimately the same substance.152
It is possible then that Spinoza upholds that God's essence is
infinite as to shoot down the anthropomorphic view of mind and matter
being outstanding properties; they are only to humans.
I
would now like to point out how well Spinoza's monism matches with
archetypal theory. In particular, the problem of attributes basically
gets at the same issue that is broached with the psychoid and the
unus mundus. Under the
relativist interpretation, the attributes, such as those of thought
and extension, appear to be different but equally valid ways of
describing God's essence. Similarly, psychoid archetypes blur the
distinction between mind and matter, emanating in both subject and
object and to give rise to synchronicity.
Behind these coincidences
is a unity; our distinctions are, as Jung himself said, labels.153
That notion both Jung and Spinoza seem to be uphold similar
metaphysics is bolstered by Atmanspacher, who notes that they both
subscribe to dual-aspect monism, where both aspects of the monist
center are equally valid descriptions, despite not having casual
connections to one another.154
Jung thinks mind and matter are two sides of the same coin;
archetypal theory supports the relativist interpretation of God's
essence.
Perhaps
it has been hard until now to accept how archetypes could be
information independent of the body. But Spinoza offers a way to
understand this, where ideas are not our filtered pictures of the
world, but independent agents under an attribute wholly separate from
matter (though again, it and matter are truly one and same). Pauli
and Jung approximated the idea that the collective unconscious was
merely the psychic aspect of an underlying nature, although as we saw
at the end it seems Jung conflated the psyche with this underlying
nature, which distorted the model. By backing that archetypal model
with Spinoza's metaphysics, the collective unconscious becomes
tantamount with the attribute of thought. Indeed, Spinoza upholds a
priori knowledge, not in the Kantian sense, but in the fact that he
sees “an adequate idea” to be one that captures God's essence.155
Archetypes then, are the infinite modes, the universals, of this
attribute. Concurrently, modes of thought are individual ideas or
minds; this includes but is not limited to the minds of living
things. We will touch upon Spinoza's theory of how to glean universal
knowledge shortly.
I
want to observe that equating the collective unconscious with the
attribute of thought answers the question posed earlier by Hogenson:
there is indeed no structure in the brain for the collective
unconscious, because it is obviously not restricted to the human
subject nor part of extension. Rather it is all the infinite modes
attributed to the attribute of thought.156
By proxy of all this, I hope it's completely obvious that this
syncing of Spinoza and Jung places the archetypes firmly outside the
subject. They are no longer categories of perception or innate
contents, but rather information about the universe that we can
either affirm or deny.157
I mean that in the strictest metaphysical sense.
We
could stop here, with the collective unconscious as being equivalent
with the attribute of thought. But we could also go further than this
and describe the psychoid as the region where our distinction of
attributes collapses, when, as in synchronicity, we witness an
archetype emerging as both thought and extension. It was Pauli who
urged Jung to see archetypes as organizers of both the psychic and
physical.158
In this case would either limit the label archetype to the psychic,
or use it to refer to infinite modes belonging to other attributes as
well. Ergo we could talk about infinite modes under the attribute of
extension as archetypal as well. Earlier we noted that Knox left the
door open to some “mathematical” ontology independent of the body
was responsible for archetypes, though ultimately she felt the image
schemas were the genuine article.159
I think Spinoza offers a way to enrich what she was getting at: it is
evident that the infinite modes of extension, as laws of nature, in
some way perpetuate our corporeal existence. Similarly the infinite
modes of thought must drive our minds to being. One could then
interpret any theory pertaining to the subject as ultimately an
archetypal theory, though obviously image schemas cannot be
archetypes, for archetypes cannot be restricted to the subject as
categories of perception (nor can the self be inflated to God). By
now I hope by now it's clearly understood why universals cannot also
be the schema we use to interpret those same universals.160
My
contention is that Jung and Pauli were approximating something very
close to Spinoza's God, but in the end the introverted bias tripped
them up. The fact that Jung doesn't seem to think much of Spinoza-
more on this next- is a bit perplexing in light of the associations
we've made thus far. Did Jung really not know he was on his way to
something close to what Spinoza did three-hundred years before him?
Or did Jung have a reason to think he and Spinoza were actually not
at all similar? Some contextual analysis next. Before that, I would
like to reprise my pending solution to Jung's introverted bias. I
suggested that Jung's collapsing of the psychic with the universal
could be reconciled if this maneuver was seen as relative to
Atmanspacher's notion that one can acquire universal knowledge in a
dual-aspect monist system by exploring the universals implicit within
one of the attributes of that monism. The problem was that this seems
to suggest that what's best for us is also what is best for the
universe; in a system of infinities where God has no motives this
seems difficult to believe. Though such teleology is implicit in much
of Jung's writings; indeed, the basis of his therapy is that an
impersonal unconscious will provide helpful contents for those
willing to use them.161
This seems like a potential rift between he and Spinoza, for how can
there be any teleology
in a universe generated by an ambivalent God? The answer lies in
Spinoza's theories of knowledge, emotions, and what he calls
'blessedness.'
Scientia Intuitiva
It's
curious that a real attempt to compare Jung and Spinoza has never
been published before. There are a handful of articles by
psychoanalysts that offhandedly mention a common aspect amongst the
two, usually in regards to their mind-body philosophy, but such
trivia is usually embedded within more pressing concerns.162
At least one author makes passing mention of the fact that both Jung
and Spinoza value highest a knowledge beyond reason- we will get to
this shortly.163
That Spinoza undoubtedly influenced figures who in turn inspired Jung
has been implicitly established by Paul Bishop, who briefly draws
upon Spinoza in his two books on Jung and German classical
aesthetics. He describes the influence Spinoza had on the Germanic
aesthetic tradition, which in Jung was arguably a successor of. But
Spinoza's cameo in the narrative is of course dwarfed by the pages
afforded to the principal characters of Goethe and Schilling.164
Finally, Clarke interestingly makes a connection between 'Spinozist'
therapy and analytical psychology, albeit only on the point of
mind-body relations.165
Clearly then there is much ground to be mined between Jung and
Spinoza, a job that this limited paper cannot commit to. For now, I
would like to compare the basics of Jung's individuating process with
Spinoza's theory of knowledge. We can begin by looking at just what
Jung himself had to say on C.G. Jung. It isn't much.
Since
Jung lived three centuries after Spinoza, it stands to reason that
Jung himself, who by all indications read widely and exhaustively,
might have seen similarities in his ideas with those of Spinoza. But
in the all twenty volumes of his Collected Works, Jung
mentions Spinoza but seven times.166
When one considers the several
hundred shout-outs
that Jung offers Nietzsche, Spinoza's meager cameo in the Collected
Works would suggest that Jung
found little use for him.167
He makes what is, by his own admission, “an all-too-summary sketch”
of how philosophers throughout the ages progressively disguised the
irrational instincts “under
the cloak of rational motivations,” thus transforming “the
archetypes into rational concepts.” Jung complains that “[i]t is
hardly possible to recognize the archetype under this guise.”168
Among those Jung blames for this is Spinoza: The archetype “became
a 'thought,' an internal condition of cognition, as clearly
formulated by Spinoza: 'By idea I understand a conception of the mind
which the mind forms by reason of its being a thinking thing.'..."169
It is odd that Jung holds Spinoza accountable for destroying the
metaphysical value of what Jung would later call the archetype, since
Spinoza is hardly an enemy of the ontological.
There
are a lot of things we could unpackage here, but I will focus on one
thread. To start, Jung is quoting Spinoza's definition of what an
'idea' is from Part II of the Ethics.170
This tells
us a number of things. At some point it would seem that Jung scored a
copy of Spinoza's magnum opus. Evidently Jung did attempt to navigate
the Ethics,
for he directly quotes it three times in the Collected
Works. In
the passage cited above, Jung quotes 'Part II: Of the Nature and
Origin of the Mind.' The other two citations are passing mentions of
the scientia intuitiva and
the intellectualis Dei.171
These terms
are lifted from Parts II-V of the Ethics
and concern Spinoza's theory of intuitive knowledge.172
It is telling that any attention Jung offers Spinoza is centered on
Spinoza's theory of mind. Jung, after all, is a psychologist, so
perhaps he has chosen to selectively cite those portions of the
Ethics that
are most suited to him. But this also has to do with Jung's
introverted bias. Observe this in how Jung hones in on Spinoza's
definition of an 'idea.' As the passage clearly indicates, Jung
guesses that by 'idea' Spinoza is talking about the same thing that
Jung describes as an idea: the primordial image, or the archetype.173
Therefore, Jung does relate
his ideas to those of Spinoza's. But he does so negatively. Jung
concludes that the way Spinoza privileges reason in his definition of
an idea is proof that Spinoza has missed out on the true meaning of
the archetype. The fact that Jung presumes that Spinoza's writings on
psychology were the place to go to see if Spinoza had anything to say
on things that approximate archetypes, the collective unconscious,
etc., is of course a misstep. By 'idea' Spinoza means the conception
a body has of itself. He places universals outside of the body. Once
again Jung's placement of archetypes within the subject has tripped
him up. Suffice it to say that he may have documented a very
different view of Spinoza had he instead looked for archetypes in
'Part I: On God'.
In
any event, two things are clear so far: 1) Jung read Spinoza,
possibly with some selection; and 2) Jung believes Spinoza is limited
by his stance as a rationalist. Jung's understanding of rationalism
and 'scientific materialism' is another tangential topic that I
cannot do justice with. I do think though that Jung's application of
those labels might be suspect, much like how his presumption was that
Spinoza's definition of 'idea' was equivalent to his own. It seems
that Pauli got Jung to see more of the nuances in these
classifications.174
But if Jung really did think that Spinoza was a limited materialist,
it is curious then that he would apparently see the value in
Spinoza's scientia intuitiva,
a knowledge beyond reason.
Jung
mentions Spinoza's 'scientific intuition' in his own definition of
intuition in Psychological Types. In
Jung's ego model, intuition is one
of the two perceiving functions, the other being sensation. Whereas
sensation is concerned with immediate experience, intuition processes
unconscious connections and relationships. Jung considers intuition
to have the most direct access to the collective unconscious of any
psychological type. He elaborates that “intuitive
knowledge possesses an intrinsic certainty and conviction, which
enabled Spinoza (and Bergson) to uphold the scientia
intuitiva as
the highest form of knowledge.”175
It is interesting that Jung cites both Jung and Bergson here. It has
been shown that Jung's concept of intuition was inspired by Bergson's
work on duration.176
Is Jung admitting a reliance on Spinoza here? Or is he merely
observing some of the similarities between the works of Bergson and
Spinoza?177
This is not clear. But Jung would see a lot to agree with in
Spinoza's scientific intuition.
Spinoza
believes that there are three levels of knowledge, where emotions
also come into play. Spinoza states that all finite modes are
affected by forces that come from both the infinite modes as well as
discrete effects from other finite modes.178
Spinoza defines emotions as our apprehensions of these affects.179
For instance, we have joy for some ideas and sadness for others.
Emotions caused by affects beyond our nature are passive emotions,
whereas emotions we assert with our own nature are active emotions.
For the most, part people are at complete mercy to these affects;
this what Spinoza refers to as 'human bondage.'180
In Spinoza's estimate this is because most people only use what he
defines as the first form of knowledge, which is merely perception
and sensory experience. This form of knowledge is localized is often
based on things such as gossip, and gives the illusion of
understanding.181
Spinoza's solution is for individuals to question the epistemology of
their affects, and to see that how they feel is part of a greater
essence, God. The second form of knowledge, reason, is used when one
sees the universal behind localized data. Spinoza claims that finite
modes have a will to exist, what he calls the conatus.182
Thus, even if God has no motive, the finite modes do. In humans the
conatus
is
most satisfied by knowledge of God, because knowledge of the
universals gives us the most practical way to live in peace. When
this knowledge of God is used as action, Spinoza states that the
third form of knowledge has been accessed, the scientia
intuitiva.183
The individual who lives within their nature, does not get embroiled
in the localized but can persevere difficulties by learning about the
universal, is living a life of what Spinoza calls 'blessedness.'184
Likewise,
Jung believes that experience of the archetypes allows individuals to
transcend everyday suffering. The story of the priest who used the
Judas story to absolve his guilt of leaving the Catholic church is an
example of this.185
While Jung would not have used the word 'reason' to describe
acquisition of archetypal knowledge, he did believe that most people
were at mercy to possession by complexes; this is not dissimilar to
passive emotions and affects.186
Furthermore, Spinoza specifically delineates that, although God has
no directive, we as individuals have the will to exist, and to assert
our existence. It is not that what's best for God is what is also
best for us, but simply that knowledge of God gives us a practical
utility to survive and be at peace. That it is not the collective
that knows what's best for us, but rather it is up to individual to
be responsible and find in the collective what is best for him, is
essentially what Jung comes around to in 'The Undiscovered Self'
(1957). It again seems that, despite conflicting writings on just
where
the
archetype is located, Jung in the fifties writes many essays seem
built on a dual-aspect monism. I suggest that Spinoza's conatus
could better clarify Jung's teleology, for while God may have no
aspiration for meaning, it would seem that most humans do.187
Furthermore I propose that numinosity is akin to the 'blessed'
happiness that comes with knowledge of God.
This is merely a
cursory beginning in a comparison of Jung to Spinoza. We have seen
that the ontology of Spinoza agrees strongly with that of Jung.
Furthermore we have seen that their paths to knowledge of the
absolute are extremely similar. And as the manifest of our
investigation stated, we have shown that placing the archetypes back
into the metaphysical preserves much of what makes archetypal theory
special.
4. Archetypes
Relocated
The objective of
this investigation was to show why archetypes are a stronger concept
when placed outside of the subject. To do this I displayed problems
with archetypes in terms of what the archetype's location was being
conceived as by Jung and his followers. At the same time I showed
that Jung, with the help of Wolfgang Pauli, began transforming his
theory into a dual-aspect monism that seemed to eliminate the
problems of making archetypes embodied. Jung does not entirely go
through with this, but nevertheless many of his writings
post-publishing on synchronicity reflect a change in his willingness
to contend with the unknowable. I then proceeded to show that this
monism many contemporary Jungians have abandoned could be
resuscitated with Spinoza's philosophy acting as a guide. I then
proceeded to show two key ways in which Jung and Spinoza where in
accord: Their metaphysics, and their epistemology.
There is much that
this thesis does not address and therefore more work to be done. I
realize that not everyone will believe at first glance that Spinoza's
God is a more satiable idea than archetypes being innate. I have not
displayed scientific literature that might agree with my position.
Additionally I have left myself open to attack for some of the
sources I have used to bolster my argument; someone my argue that
Bertrand Russell was not necessarily an admirer of Baruch Spinoza.
But that does not mean that Russell's analysis of universals was not
consistent with what I was trying to do. In any event my objective
was not to marshal together like-minded individuals, but to find the
logic that could best flesh out my convictions.
Finally, as much of
this paper was spent arguing the problems of archetypes, I only began
to link Jung and Spinoza in earnest. Nevertheless, my hope is that I
can use this investigation as a prelude for future work on
interfacing Spinoza with analytical psychology. I wish no less than
to expand on the argument I began here, that archetypes should be
liberated from the self, for they are better thought of as universal
information generated by substance.
Anthony Stevens, Archetype Revisited: An Updated Natural
History of the Self, (Brunner-Routledge,
2002); Stevens, “Archetypes,” 75.
2C.G.
Jung, “Synchronicity: An Acasual
Connecting Principle,” The Collected Works
(Bollingen-Princeton, 1973)
vol. 8, pp. 840.
3Jung,
“Psychological Aspects of the Mother Archetype,” C.W.,
vol. 9i, pp. 136.
4Ibid.
5Andrew
Samuels, Jung and the Post-Jungians, (Routledge,
1985) 25.
6Bertrand
Russell, The Problems of Philosophy (Vook
Classics, 2011 Kindle Edition) Loc 760-780; Though Bertrand
Russell's writings were not specifically concerned with Jungian
archetypes, his straightforward analysis of the problems involved
with universals makes him a most helpful figure to turn to.
7Jung,
“The Relations Between the Ego and the Unconscious,” C.W.,
vol. 8, pp. 300.
iDarwin's
On the Origin of Species had
been around since 1859.
8Samuels,
Jung and Post-Jungians, 25.
9Anthony
Stevens, “The archetypes,” Ch.3 in The Handbook of Jungian
Psychology, Ed. By Renos
Papadopoulos (Routledge, 2006) 76.
10Jung,
“On the Nature of the Psyche,” C.W., vol.
8, pp. 417.
11Stevens,
“The archetypes,” The Handbook of Jungian Psychology, 80.
12Russell,
Loc 880-900.
13Samuels,
Jung and the Post-Jungians, 25.
14Ibid.
15Jung,
“The Relations Between the Ego and the Unconscious,” C.W.,
Vol. 8, pp. 300.
16Ronald
Hayman, A Life of Jung (W.W.
Norton & Company, 2002).
18Jung,
“Two Essays on Analytical Psychology,” C.W. Vol.
7.
19Jung,
“Two Kinds of Thinking,” C.W.,
vol. 5, pp. 43-44.
20Jung,
“Definitions,” C.W. Vol.
6, pp. 757-762.
21Jean
Knox, Archetype, Attachment, Analysis: Jungian psychology and the
emergent mind, (Brunner-Routldege,
2003) p. 24.
22Jung,
“On the Nature of the Psyche,” C.W.,
vol. 8, pp. 421.
23Knox,
27.
24Hayman.
25Roderick
Main, The Rupture of Time: Synchronicity and Jung's Critique of
Modern Western Culture, (Brunner-Routledge,
2004 Kindle Edition) 25.
26Stevens,
“The archetype,” The Handbook of Jungian Psychology, 78.
27Ibid.
28Jean
Knox, 24.
29Harald
Atmanspacher, “Dual-Aspect Monism
a la Pauli and Jung, Journal of Consciousness Studies,
19(9-10) 2012, 13.
http://www.igpp.de/english/tda/pdf/dualaspect.pdf
30Ibid.
31Jung,
“Synchronicity: An Acasual Connecting Principle,” C.W. Vol.
8, pp. 850.
32Ibid.,
845; Main, 18.
33Jung,
“Synchronicity: An Acasual Connecting Principle,” C.W.
Vol 8; Jung, “On the Nature of the Psyche,” C.W.,
Vol. 8.
34Main.
35Ibid.,
18; Jung, “Synchronicity: An
Acasual Connecting Principle,” C.W.,
vol. 8, pp. 845.
36Cambray,
Loc 720.
37Jung,
“On the Nature of the Psyche,” C.W.,
vol. 8.
38Main,
26.
39Joseph
Cambray, Synchronicity: Nature & Psyche in an Interconnected
Universe (Texas A&M, 2009
Kindle Edition); Suzanne Gieser, The Innnermost Kernel:
Depth Psychology and Quantum Physics, Wolfgang Pauli's dialogue with
C.G. Jung (Springer 2005,
Kindle Edition).
40Suzanne
Gieser, The Innermost Kernel: Depth Psychology and Quantum
Physics. Wolfgang Pauli's dialogue with C.G. Jung (Springer,
2005 Kindle Edition) Ch.
4.
41Cambray,
Location 402, Emphasis added by
Author.
42Gieser,
290.
43Ibid.,
172.
44Ibid.,
172-173.
45Atmanspacher,
13.
46Roger
Brooke, Jung and Phenomenology (Trivium,
March 1, 2009).
47Ibid.,
177-178.
48Russell,
Loc. 980.
49Ibid.
50Papadopolous,
“Jung's epistemology and methodology.”; C.G. Jung, “The
Zofingia Lectures,” The Collected Works (Princeton
University Press 1983) Supplementary Volume A.
51Jung,
Ibid., pp. 142.
52Renos
Papadopolous, “Jung's epistemology and methodology,” Ch.1 in The
Handbook of Jungian Psychology, Ed.
By Renos Papadopolous, (Routledge 2006) 33-35.
53Jung,
Psychological Types, C.W.
Vol. 6; John Beebe, Ch. 6 in The Jungian Handbook.
54Christian
McMillian, Private Conservations with Author, 2011-2012.
55C.G.
Jung, interview by John Freeman, Face to Face, British
Broadcasting Company, October 22, 1959.
56Jung,
“The Undiscovered Self,” C.W. Vol.
10.
57Roderick
Main, Private Conversation with Author, May 2012.
58Jung,
“The Psychic Nature of the Alchemical Work,” C.W.,
vol. 12, pp. 400.
59Jung,
“A Psychological Approach to the Dogma of the Trinity,” C.W.,
vol. 11, pp. 222.
60Jung,
“Psychological Aspects of the
Mother Archetype,” C.W.,
pp. 151.
61Jung,
“Psychological Aspects of the Mother Archetype,” C.W., vol
9i, pp. 151.
62Gieser,
219.
63Ibid.,
219-220.
64Ibid.
220-221.
65Jolande
Jacobi, The Psychology of C.G. Jung,
(Yale University Press, 1973) 85-88.
66Atmanspacher.
67Ibid.,
16-17.
68Ibid.,
13.
69Jung,
“Mysterium Coniunctionis,”
C.W., vol. 14, pp.
767.
70Ibid.,
“Answer to Job,” C.W.,
vol. 11; “The Undiscovered Self, C.W.,
vol. 10.
71C.G.
Jung, “Flying Saucers,” C.W.,
vol. 10, pp. 594; pp. 778-790.
72Atmanspacher,
9-11.
73Ibid.
74Christian
McMillian, Private Conversations with Author, 2011-2012.
75Russell,
Loc 940-950.
76Jung,
'On the Nature of the Psyche,' Vol. 8.
77Russell,
Loc. 912.
78Albert
Einstein, Relativity: The Special and General Theory (Amazon,
2011, Kindle Edition).
79Gieser,
217, 281.
80Ibid.,
282.
81Ibid.
82Russell,
Problems of Philosophy, loc.
980.
83Atmanspacher,
1-10.
84Ibid;
Gieser, 280.
85Knox,
Archetype, Attachment, Analysis, 12-39.
86Knox,
37-39.
87BioStevens,
Archetype Revisited.
88Knox,
34-39.
89Bruce
Lipton, The Biology of Belief (Hay
House, 2005).
90Stephen
Gould, The Structure of Evolutionary Theory (Belknap
Press, 2002).
91Knox,
39.
92Ibid.,
38.
93Ibid.,
38.
94Ibid.,
38.
95Ibid.,
39.
96Ibid.,
207.
97Ibid.,
40-70.
98Ibid.,
62.
99George
Hogenson, “Archetypes,” Ch.2 in Analytical Psychology:
Contemporary Perspectives in Jungian Analysis, Ed.
By Joseph Cambray and Linda Carter (Brunner-Routledge, 2004) 46.
100Ibid.
46-49.
101Russell,
Loc. 880-900.
102Cambray.
103George
Hogenson, “Archetypes as Action Patterns,” The Journal of
Analytical Psychology, Vol 54
(2012) Issue 3
104Russell,
Loc. 880-900; Knox, 40-70.
105Russell,
Loc. 910-920.
106George
Lampert; Private Conversation with Author; 2012.
107Knox,
204-205.
108Kitiyama,
Duffy, Kawamura, & Larsen, “Percieving an object and context
in two different cultures: A cultural look at New Look,”
Psychological Science (2003)
14, 201-206.
109Knox,
39.
110Brandon
Labbree, conversation with author at Rutgers University, Summer
2011.
111Sonu
Shamdasani, Jung and the Making of Modern Psychology: A Dream of
a Science”, (Cambridge,
2003), 30.
112Gould.
113Stevens,
“The archetypes,” 89.
114Knox,
115Atmanspacher.
116Benedict
de Spinoza, Ethic: Demonstrated in Geometrical Order and Divided
into Five Parts, trans. By W.
Hale White and Amelia Hutchinson Stirling, (Oxford University Press,
4th
Edition, 1923).
117Steven
Nadler, Spinoza's 'Ethics' (Cambridge Introductions to Key
Philosophical Texts), (Cambridge,
2006, Kindle Edition) Loc 168.
118Charles
Jarrett, Spinoza: A Guide for the Perplexed, (Continuum,
2007) 32.
119Ibid.
120Jarrett,
Guide for the Perplexed, 35-36.
121Spinoza,
I def VI.
122Ibid.,
I def III.
123Ibid.,
I P7-12.
124Ibid,
I def VI.
125Ibid,
II P3-4.
126Ibid.,
I P5.
127Ibid,
I P6-10.
128Ibid.,
I P13.
129Ibid.,
I P11.
130Ibid.,
I P15s.
131Ibid,
II P3-4.
132Ibid,
I def IV.
133“Baruch
Spinoza,” Stanford Encyclopedia of Philosophy, accessed
August 20, 2012, http://plato.stanford.edu/entries/spinoza/#GodNat
134Spinoza,
I P21-28.
135Ibid.
136Ibid.,
II P11-13.
137Jarrett,
Guide for Perplexed, 30-38.
138Spinoza,
II P2-7.
139Atmanspacher.
140“Baruch
Spinoza,” Stanford Encyclopedia of Philosophy.
141Jarrett,
Guide for Perplexed, 30-70.
142Ibid.,
54-56.
143Jarrett,
Guide for Perplexed, 55.
144Ibid.
Jarre
145Spinoza.,
I defVI.
146Jarrett,
Guide for Perplexed, 55.
147Spinoza,
II P7s
148Charles
Jarrett, “Some remarks on the 'objective' and 'subjective'
interpretations of the attributes,” Inquiry: An
Interdisciplinary Journal of Philosophy, (1977)
20, 1-4.
149Ibid.;
Jarrett, Guide for Perplexed, 55.
150Spinoza,
I defVI, II P7s
151“Baruch
Spinoza,” Stanford Encyclopedia of Philosophy.
152Spinoza,
Ep 66; Jarrett, Guide for Perplexed, 56.
153Jung,
“Mysterium Coniunctionis,”
C.W., vol. 14, pp.
767; Jacobi, The Psychology of C.G. Jung,
85-88.
154Atmanspacher.
155Spinoza,
II P32-47.
156Hogenson.
“Archetypes as action patterns.”
157Spinoza,
II P48, P49c
158Gieser,
290.
159Ibid.,
62.
160I
do think that there is a way to describe our mental digestion of
archetypes, and that this could be done using Jung's ego psychology,
as found in Psychological Types, C.W.,
vol. 6. But I am not sure about the particulars on this; I would not
want psychological types to simply replace archetypes in name, only
to cause the same problems.
161Jung,
“Two Essays in Analytical
Psychology,” C.W.,
vol. 6.
162L.
Stein, “Analytical Psychology: A Modern Science,” Journal of
Analytical Psychology (1958) 3,
43-50; D. Tresan, “The trouble with neurobiological explanations
of the mind,” Journal of Analytical Psychology (2006)
51:603-607.
163A.
Reiner, “Psychic phenomena and early emotional states,” Journal
of Analytical Psychology (2004)
49, 313-336.
164Paul
Bishop, Analytical Psychology and the German Classical
Aesthetics: Goethe, Schiller, and Jung, Volume 1: The Development of
the Personality, (Routledge,
2007); Ibid., Volume 2: The Constellation of the Self,
(Routledge, 2008).
165Giles
Clarke, “A Spinozan Lens onto the Confusions of Borderline
Relations,” Journal of Analytical Psychology (2006)
61:67-86.
166Jung,
“Index,” C.W., Vol.
20, s.v. Spinoza, B.
167Ibid.,
s.v. Nietzsche, F..
168Jung,
“Instincts and the Unconscious,” C.W., Vol.
8, pp. 277.
169Ibid.,
pp. 276.
170Ibid.,
II def 3.
171Jung,
“Psychological Types,” C.W., Vol.
6, pp. 770; Ibid., “Civilization in Transition,” pp. 199.
172Ibid.,
II-V.
173Jung,
“The Structure and Dynamics of
the Psyche,” C.W., Vol.
8, pp. 275-277.
174Gieser.
175Jung,
“XI. Definitions,” C.W., vol.
6, pp. 770.
176A.Y.
Pete Gunter, “Bergson and Jung,” Journal of the History of
Ideas (1982) 43: 4, 643.
177V.T.
Thayer, “A Comparison of Bergson
and Spinoza: A Comparison of Reality and Knowledge,” The
Monist (1919) Vol. 29, 1.
178Spinoza,
P16-17.
179Ibid.,
III P1-5.
180Ibid.,
II P48, IV.
181Ibid.,
II P16-32.
182Ibid.,
III P1-20.
183Ibid.,
V.
184Ibid.,
V.
185Jung,
“Two Kinds of Thinking,” C.W.,
vol. 5, pp. 43-44.
186Jung,
“Two Essays on Analytical Psychology,” C.W. Vol.
7.
187Jung,
“The Undiscovered Self,” C.W. Vol.
10.
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